On\u00edrica fantasia: fic\u00e7\u00e3o ou realidade? Os trabalhos mais recentes de Bel Barcellos t\u00eam oscilado entre bin\u00f4mios diversos: corpo\/esp\u00edrito, raz\u00e3o\/emo\u00e7\u00e3o, transcend\u00eancia\/iman\u00eancia, espa\u00e7o\/tempo, enfim. Contudo, a s\u00e9rie apresentada aqui promove nova reflex\u00e3o em torno de outra rela\u00e7\u00e3o: meio\/linguagem.<\/p>\n A camuflagem do limite entre representa\u00e7\u00e3o e realidade, expressa nos bordados e desenhos da artista, aponta-nos quest\u00f5es inerentes \u00e0s hist\u00f3rias da arte e do pensamento humano: como se destitui o meio como suporte a partir da pintura-objeto? Dessa forma, como delimitar a fronteira entre fic\u00e7\u00e3o e realidade?<\/p>\n Para Nietzsche, buscamos uma \u201cverdade\u201d diretamente ligada a um mundo verdadeiro, ou seja, a um mundo est\u00e1vel, permanente, que tende a um fim \u00fanico. Por\u00e9m, este mundo \u00e9 simplesmente uma quimera… As fic\u00e7\u00f5es \u2013 narrativas imagin\u00e1rias, irreais ou obras criadas a partir da imagina\u00e7\u00e3o \u2013 estariam, pois, a servi\u00e7o da nossa autopreserva\u00e7\u00e3o.[1]<\/p>\n Como nosso foco n\u00e3o se refere a qualquer express\u00e3o de linguagem, mas \u00e0 fic\u00e7\u00e3o art\u00edstica, as obras expostas por Bel Barcellos nos levam a refletir por qual raz\u00e3o criamos ilus\u00f5es de realidades, formas, figuras e espa\u00e7os visando a narrar hist\u00f3rias que nunca existiram? Por que constru\u00edmos imagens que n\u00e3o pertencem \u00e0 natureza, de maneira a materializar ideias e desejos que temos em mente?<\/p>\n S\u00e3o indaga\u00e7\u00f5es resultantes de uma s\u00e9rie de dez objetos de linho, bordados e desenhados , em que o preto e o branco s\u00e3o a base para a inclus\u00e3o delicada de nuan\u00e7as s\u00e9pias e prim\u00e1rias (azuis, amarelos e vermelhos) de linhas leves e massas difusas, qual nuvens a incitar nosso imagin\u00e1rio em dire\u00e7\u00e3o a hist\u00f3rias ut\u00f3picas, atrav\u00e9s de imagens fantasiosas, capazes de transportar nosso esp\u00edrito para a atmosfera do sonhos…<\/p>\n Sim, a constru\u00e7\u00e3o de um espa\u00e7o ficcional deriva da experi\u00eancia on\u00edrica. A fic\u00e7\u00e3o adv\u00e9m do fato de o homem sonhar. Na fic\u00e7\u00e3o repetimos conscientemente o que inconscientemente fazemos no sonho mediante imagens cujo sentido s\u00f3 existe em nossas mentes. Assim, criamos um mundo para efetuar desejos.<\/p>\n O car\u00e1ter eminentemente fant\u00e1stico das imagens realizadas por Bel Barcellos remete-nos a figura m\u00edtica da quimera, ora expressa como cegonha, ora como capric\u00f3rnio ou coruja… Frutos da imagina\u00e7\u00e3o… On\u00edricas fantasias… L\u00fadicas utopias… Ilus\u00f5es rom\u00e2nticas como sapo-pr\u00edncipe, cavalinho-carrossel… Ou linhas di\u00e1fanas de folhas e p\u00e1ssaros a conferir leveza ao corpo em repouso. Eis a liberdade perene que os desenhos\/bordados ou poemas-trama-objeto aqui expostos nos ofertam: al\u00e7ar v\u00f4o t\u00e3o transit\u00f3rio quanto o tempo em lapso.<\/p>\n Notas<\/p>\n 1- [\u2026] a nossa inclina\u00e7\u00e3o b\u00e1sica \u00e9 afirmar que os ju\u00edzos mais falsos […] nos s\u00e3o os mais indispens\u00e1veis, que, sem permitir a vig\u00eancia das fic\u00e7\u00f5es l\u00f3gicas, sem medir a realidade com o mundo puramente inventado do absoluto, do igual a si mesmo, o homem n\u00e3o poderia viver. Ver Zaterka, L., Cadernos Nietzsche 1, p. 83-92, 1996, FFLCH-USP.<\/p>\n<\/div> Oneiric fantasy: fiction or reality? The latest works by Bel Barcellos oscillate between various pairings: body\/spirit, reason\/emotion, transcendence\/immanence, space\/time\u2026 However, the series here presented promotes a reflection regarding a new relation: medium\/language.<\/em><\/p>\n The camouflage of the limit between representation and reality, expressed in the artists\u2019 embroideries and drawings, points us to questions that are inherent to the history of art and human thought: how does one destitute the medium as the work\u2019s support by means of the painting-object? That is, how to delimit the frontier between fiction and reality?<\/em><\/p>\n To Nietzsche, we search for a \u201ctruth\u201d directly linked to a truthful world, that is, a stable world, a permanent world, one that leads to a single end. This world however, is merely a chimera\u2026 The fictions \u2013 imaginary narratives, unrealistic or fruits of the imagination \u2013 would thus be at the service of our self-preservation. [1]<\/em><\/p>\n Since our focus refers to artistic fiction rather than to linguistic expressions, the works of Bel Barcellos lead us to reflect on the reasons why we create illusions of realities, forms, figures and spaces striving to tell stories that never existed. Why do we craft images that do not belong to nature, so as to materialize ideas and wishes that we have in mind?<\/em><\/p>\n These are inquiries provoked by a series of ten linen objects, embroidered and drawn, in which the black and white are the basis for the delicate inclusion of nuanced sepia and primary colors (blue, yellow and red), of thin lines and diffuse masses, akin to clouds inciting our imagery towards utopic stories, throughout fantastical images, capable of transporting our spirit to the atmosphere of dreams\u2026<\/em><\/p>\n Yes, the creating of a fictional space derives from oneiric experience. Fiction stems from the fact that men dreams. In fiction we consciously repeat what we unconsciously do in dreams through images whose meaning exist only in our minds. Thus we create a world to fulfill desires.<\/em><\/p>\n The eminently fantastical nature of the images created by Bel Barcellos reminds us of the mythical chimera figure, sometimes portrayed as a stork, others as a Capricorn or owl\u2026 Fruits of the imagination\u2026 Oneiric fantasies\u2026 Ludic utopias\u2026 Romantic illusions like frog-prince, horse-carrousel\u2026 Or diaphanous lines of leaves and birds lending lightness to the resting body. Such is the perennial freedom that the drawings\/embroideries or poems-fabric-object here presented offer us: to set a flight as transitory as the lapsing time.<\/em><\/p>\n Footnotes<\/em><\/p>\n 1 – [\u2026] our basic inclination is to affirm that our most faulty judgments [\u2026] are those which are most indispensable, such that, without allowing for the validity of logical fictions, without measuring reality through the purely invented world of the absolute, of the akin to itself, men would be unable to live. See Zaterka, L., Nietzsche notebooks 1, p. 83-92, 1996, FFLCH-USP.<\/em><\/p>\n<\/div> Sob nossos p\u00e9s | Beneath our feet<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"tags":[],"class_list":["post-429","post","type-post","status-publish","format-standard","hentry","category-texts"],"_links":{"self":[{"href":"https:\/\/belbarcellos.com.br\/belbarcellos\/wp-json\/wp\/v2\/posts\/429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/belbarcellos.com.br\/belbarcellos\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/belbarcellos.com.br\/belbarcellos\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/belbarcellos.com.br\/belbarcellos\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/belbarcellos.com.br\/belbarcellos\/wp-json\/wp\/v2\/comments?post=429"}],"version-history":[{"count":6,"href":"https:\/\/belbarcellos.com.br\/belbarcellos\/wp-json\/wp\/v2\/posts\/429\/revisions"}],"predecessor-version":[{"id":1051,"href":"https:\/\/belbarcellos.com.br\/belbarcellos\/wp-json\/wp\/v2\/posts\/429\/revisions\/1051"}],"wp:attachment":[{"href":"https:\/\/belbarcellos.com.br\/belbarcellos\/wp-json\/wp\/v2\/media?parent=429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/belbarcellos.com.br\/belbarcellos\/wp-json\/wp\/v2\/categories?post=429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/belbarcellos.com.br\/belbarcellos\/wp-json\/wp\/v2\/tags?post=429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nSonia Salcedo del Castillo
\n2010<\/strong><\/p>\n<\/div>
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\nSonia Salcedo del Castillo
\n2010<\/strong><\/em><\/p>\n<\/div>
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